Sofía Dourron is a researcher and independent curator. Her current work investigates the relationships between decolonial perspectives, certain ideas from posthumanism, environmental philosophy, and artistic practices. She also continues her inquiries into the institutional nature of art in Latin America, focusing on museums as colonizing devices and on the possibilities of designing alternative genealogies that escape the modern universalist canon.

Her recent projects include Energy and Optimism for Life. 60 Years of Ruth Benzacar Gallery (2025, Ruth Benzacar Galería de Arte), It Would Be Better to Be Part of the Mud by Malena Pizani (2025, Fundación Federico J. Klemm), Mundo fofo by Cristina Schiavi (2025, Galería W), and The Air Wavered Around Her. Latin American Artists and Their Poetics of the World (2025, Museo Sívori, Buenos Aires). In 2024 she curated In the Order of the Stones by Florencia Levy, part of the “Pavilion” project of the 15th Gwangju Biennale (2024, May 18 Archive, Gwangju), and May the Doors Collapse by Luciana Lamothe, the Argentine Pavilion at the 60th Venice Biennale (2024, Arsenale, Venice). In 2023 she was Associate Curator of THIS TOO, IS A MAP, the 12th edition of the Seoul Mediacity Biennale in Seoul. Other recent projects include: Myths of the Near Future (Parque de la Memoria, Buenos Aires, 2022 / Asia Culture Center, Gwangju, 2020), Museum of Hopes and Expectations of Life on Earth (Museo Castagnino+Macro, Rosario, 2022), After Nature (arteba, Buenos Aires, 2022), Caudal by Joaquín Boz (Barro, 2022), and Fulgor Season. Foto Estudio Luisita (Malba, 2021), among others. She was part of the project La Ene, Nuevo Museo Energía de Arte Contemporáneo, and was Curator at the Museum of Modern Art of Buenos Aires. She took part in De Appel’s 2018–2019 Curatorial Program in Amsterdam and in the 2019 International Research Fellowship at the Museum of Modern and Contemporary Art of Korea in Seoul. She holds a degree in Arts Management and Art History and a Master’s in Latin American Art History. She teaches at the National University of San Martín, the Torcuato Di Tella University, and the University of El Salvador.

She is currently co-director of the independent space pu chi pu li and of the Art and Science Center at the School of Art and Heritage at UNSAM.