Energy and optimism for life. 60 years of Ruth Benzácar Art Gallery
Energy and optimism for life create a journey through the biography of Ruth Benzacar Art Gallery that tells of its winding path, from the house-gallery, governed by affection and intuition, to the construction of a consolidated institution, although still today infused with romanticism and youth.
Better to be part of the mud
In this new theater—which is at once backdrop, puppeteer, and master of ceremonies—and which structures this exhibition, Malena once again brings to the stage the mud of the human condition and the swaying set in motion by the emotions that inhabit it.
Fofo World
Mundo fofo is an encounter with a few of the territories that Cristina has explored over the course of her career, and an invitation to approach them more closely, from a perspective that is rooted in their present moment: to go beyond traditional ways of understanding the human.
Green Shadows Underwater
In Green Shadows Underwater, Aurora draws on techno-scientific images to create a chorus of voices and altered gazes, navigating between the biological record and speculative fiction.
Brick Woman
In the work of Flor Alvarado, the house expands and grows within the body, or perhaps they grow together; it is difficult to tell where one ends and the other begins. Along with them, tensions and conflicts are also amplified.
The Air Wavered Around Them.
Through the specific languages, narratives, and materials of each work, the exhibition invites reflection on how notions of space, territory, and landscape—central to the construction of our individual and collective identities—are shaped by our bodies and, in turn, how our bodies are molded by the environments that surround them.
In the Order of the Stones
The Argentina Pavilion presents In the Order of the Stones, a solo show by artist Florence Levy that challenges the status of ‘progress’ and poetically narrates the impending breakdown of the capitalist system.
Hope the Doors Collapse
Ojalá se derrumben las puertas [Hope the Doors Collapse], Argentina’s participation in the 60 Mostra Internazionale d’Arte – La Biennale di Venezia and presenting the work of Luciana Lamothe, inhabits the (visible and invisible) borders that separate the human from the non-human.
Hope the Doors Collapse. The book
Hope the Doors Collapse, the book, accompanied Luciana Lamothe’s exhibition at the Argentine Pavilion at the 60th Venice Biennale.
The Habitat
This book is a kind of notebook, a record of the long process that led Untitled from paper to the large installation that the artist presented at the Museum of Modern Art of Buenos Aires in October 2017.