Florencia Levy
Sept-Dec 2024
Gwangju Biennale
Gwangju, Korea
Florencia Levy
Sept-Dec 2024
Gwangju Biennale
Gwangju, Korea
Sept-Dec 2024
Gwangju Biennale
Gwangju, Korea
The Argentina Pavilion presents In the Order of the Stones, a solo show by artist Florence Levy that challenges the status of ‘progress’ and poetically narrates the impending breakdown of the capitalist system.
The Argentina Pavilion presents In the Order of the Stones, a solo show by artist Florence Levy that challenges the status of ‘progress’ and poetically narrates the impending breakdown of the capitalist system.
Luciana Lamothe
April-Nov 2024
Venice Biennale
Venice
Luciana Lamothe
April-Nov 2024
Venice Biennale
Venice
April-Nov 2024
Venice Biennale
Venice
Ojalá se derrumben las puertas [Hope the Doors Collapse], Argentina’s participation in the 60 Mostra Internazionale d’Arte - La Biennale di Venezia and presenting the work of Luciana Lamothe, inhabits the (visible and invisible) borders that separate the human from the non-human, the natural from the constructed, the known from
Ojalá se derrumben las puertas [Hope the Doors Collapse], Argentina’s participation in the 60 Mostra Internazionale d’Arte - La Biennale di Venezia and presenting the work of Luciana Lamothe, inhabits the (visible and invisible) borders that separate the human from the non-human, the natural from the constructed, the known from
Trinidad Metz Brea
November 2023 - March 2024
Aura
Buenos Aires
Trinidad Metz Brea
November 2023 - March 2024
Aura
Buenos Aires
November 2023 - March 2024
Aura
Buenos Aires
Ferales explores the ecological worlds that emerge when non-human entities become entangled with human infrastructure projects, when the Western-Kantian subject becomes a multirelational and coupled subject that blurs the differences between inside and outside.
Ferales explores the ecological worlds that emerge when non-human entities become entangled with human infrastructure projects, when the Western-Kantian subject becomes a multirelational and coupled subject that blurs the differences between inside and outside.
Directora Artística: Rachael Rakes; Curadora Asociada: Sofía Dourron
September - November 2023
Seoul Museum of Art
Directora Artística: Rachael Rakes; Curadora Asociada: Sofía Dourron
September - November 2023
Seoul Museum of Art
September - November 2023
Seoul Museum of Art
THIS TOO, IS A MAP, the 12th Seoul Mediacity Biennale, explored the aesthetics of non-territorial cartographies through the works of 40 artists across 6 venues in the city of Seoul.
THIS TOO, IS A MAP, the 12th Seoul Mediacity Biennale, explored the aesthetics of non-territorial cartographies through the works of 40 artists across 6 venues in the city of Seoul.
Guido Yannitto
May - June 2023
Gachi Prieto Galería de Arte
Buenos Aires
Guido Yannitto
May - June 2023
Gachi Prieto Galería de Arte
Buenos Aires
May - June 2023
Gachi Prieto Galería de Arte
Buenos Aires
From images that intertwine astronomical events and their optical manifestations with the perception of shapes and color, Guido Yannitto builds his own space for pictorial exploration. Thus, Umbra produces an intuitive approach between cosmic phenomena, their telluric counterparts and some expanded ideas about painting.
From images that intertwine astronomical events and their optical manifestations with the perception of shapes and color, Guido Yannitto builds his own space for pictorial exploration. Thus, Umbra produces an intuitive approach between cosmic phenomena, their telluric counterparts and some expanded ideas about painting.
Adrián Villar Rojas, Agustina Triquell, Choi Yun y Lee Minwhee, Eduardo Molinari, Im Heung-soon, Lucrecia Lionti, Part-Time Suite and Hong Young In
2020 - 2022
Curators: Sofía Dourron and Javier Villa Commissioner: Gwangju Biennale Foundation
Asia Culture Center, Gwangju, South Korea / Parque de la Memoria, Sala PAyS, Buenos Aires, Argentina
Adrián Villar Rojas, Agustina Triquell, Choi Yun y Lee Minwhee, Eduardo Molinari, Im Heung-soon, Lucrecia Lionti, Part-Time Suite and Hong Young In
2020 - 2022
Curators: Sofía Dourron and Javier Villa Commissioner: Gwangju Biennale Foundation
Asia Culture Center, Gwangju, South Korea / Parque de la Memoria, Sala PAyS, Buenos Aires, Argentina
2020 - 2022
Curators: Sofía Dourron and Javier Villa Commissioner: Gwangju Biennale Foundation
Asia Culture Center, Gwangju, South Korea / Parque de la Memoria, Sala PAyS, Buenos Aires, Argentina
Myths of the Near Future brings together artists who actively and poetically revisit militant films from the late 60s, old Korean protest songs, degraded craft techniques, forgotten archives and shamanic rituals; they collaborate with others, human and non-human witnesses of tragedy and violence.
Myths of the Near Future brings together artists who actively and poetically revisit militant films from the late 60s, old Korean protest songs, degraded craft techniques, forgotten archives and shamanic rituals; they collaborate with others, human and non-human witnesses of tragedy and violence.
Carla Barbero
November 2022
Piedras Galería
Buenos Aires
Carla Barbero
November 2022
Piedras Galería
Buenos Aires
November 2022
Piedras Galería
Buenos Aires
In Carla Barbero's Third Section, soft, dreamed, imagined and copied architectures coexist, emerging from different moments of the day and night, from emotions, thoughts and more or less temporary desires. As rustic as the views of the mountains, but illuminated by small golden lagoons.
In Carla Barbero's Third Section, soft, dreamed, imagined and copied architectures coexist, emerging from different moments of the day and night, from emotions, thoughts and more or less temporary desires. As rustic as the views of the mountains, but illuminated by small golden lagoons.
Elda Cerrato, Noemí Gerstein, Constanza Giuliani, Carla Grunauer, Trinidad Metz Brea, Julia Padilla, Florencia Sadir
October 2022
arteba, Buenos Aires
Elda Cerrato, Noemí Gerstein, Constanza Giuliani, Carla Grunauer, Trinidad Metz Brea, Julia Padilla, Florencia Sadir
October 2022
arteba, Buenos Aires
October 2022
arteba, Buenos Aires
From the porous limit between dichotomies such as nature versus humanx, humanx versus machine and the empirical world versus the supernatural or extraterrestrial, After Nature proposes to experience the “ecological” not as a pedagogical category but as a way of re-imagining our ties with the material world.
From the porous limit between dichotomies such as nature versus humanx, humanx versus machine and the empirical world versus the supernatural or extraterrestrial, After Nature proposes to experience the “ecological” not as a pedagogical category but as a way of re-imagining our ties with the material world.
Mariela Vita
September 2022
NN galería de arte, La Plata
Mariela Vita
September 2022
NN galería de arte, La Plata
September 2022
NN galería de arte, La Plata
Guided by her intuitions about space and architecture, Mariela Vita wonders what the Nakagin Tower, an improvised gym on a beach in Rio de Janeiro, the training area of a naval military school in Ensenada, a playground designed by Noguchi have in common?
Guided by her intuitions about space and architecture, Mariela Vita wonders what the Nakagin Tower, an improvised gym on a beach in Rio de Janeiro, the training area of a naval military school in Ensenada, a playground designed by Noguchi have in common?
Nicolás Mastracchio
September 2022
Móvil Arte Contemporáneo
Buenos Aires
Nicolás Mastracchio
September 2022
Móvil Arte Contemporáneo
Buenos Aires
September 2022
Móvil Arte Contemporáneo
Buenos Aires
By overflowing the borders between fiction and reality, between human and non-human, between science and spirituality, Oceanica links universes of cyborg love and post-apocalyptic dystopia, and deploys a stage for the dispute of the territories of contemporaries language, relationships and affection.
By overflowing the borders between fiction and reality, between human and non-human, between science and spirituality, Oceanica links universes of cyborg love and post-apocalyptic dystopia, and deploys a stage for the dispute of the territories of contemporaries language, relationships and affection.
Joaquín Boz
March-May 2022
Barro, Buenos Aires
Joaquín Boz
March-May 2022
Barro, Buenos Aires
March-May 2022
Barro, Buenos Aires
In Joaquín’s paintings, everything gets intertwined, and in that intertwining the outlines, once rigid and finished, get soft and porous; in the overlap of small gestures, shapes and colors which become dirty with one another and almost unrecognizable, the references to the world around us and its principle of difference
In Joaquín’s paintings, everything gets intertwined, and in that intertwining the outlines, once rigid and finished, get soft and porous; in the overlap of small gestures, shapes and colors which become dirty with one another and almost unrecognizable, the references to the world around us and its principle of difference
Noviembre 2021 – Marzo 2022
MALBA, Buenos Aires
Noviembre 2021 – Marzo 2022
MALBA, Buenos Aires
Temporada Fulgor presents a selection from the largest body of work that the sisters decided to preserve: the revue theater photos taken between 1964 and 1980. This set of images offers a canon of beauty of a time when hegemonic and patriarchal corporality and eroticism were centerstage, a canon assembled
Temporada Fulgor presents a selection from the largest body of work that the sisters decided to preserve: the revue theater photos taken between 1964 and 1980. This set of images offers a canon of beauty of a time when hegemonic and patriarchal corporality and eroticism were centerstage, a canon assembled
Myths of the Near Future brings together artists who actively and poetically revisit militant films from the late 60s, old Korean protest songs, degraded craft techniques, forgotten archives and shamanic rituals; they collaborate with others, human and non-human witnesses of tragedy and violence.
Myths of the Near Future brings together artists who actively and poetically revisit militant films from the late 60s, old Korean protest songs, degraded craft techniques, forgotten archives and shamanic rituals; they collaborate with others, human and non-human witnesses of tragedy and violence.
Septiembre 2017 – Febrero 2018
Museo de Arte Moderno de Buenos Aires
Septiembre 2017 – Febrero 2018
Museo de Arte Moderno de Buenos Aires
Sergio Avello (Mar del Plata, 1964 – Buenos Aires, 2010) saw art as a way of studying the world, finding beauty and pleasure in the everyday and connecting with other people. Sergio Avello: a young, multi-talented professional, explores Avello’s artistic career but also expands into a larger universe of nightlife and friendships.
Sergio Avello (Mar del Plata, 1964 – Buenos Aires, 2010) saw art as a way of studying the world, finding beauty and pleasure in the everyday and connecting with other people. Sergio Avello: a young, multi-talented professional, explores Avello’s artistic career but also expands into a larger universe of nightlife and friendships.